Thursday, December 25, 2014

expanding the spectrum of possibility

I was happy to learn that President Obama picked up a copy of All the Light We Cannot See by Anthony Doerr during his pre-Christmas shopping trip at Politics and Prose bookstore. I was also glad to hear that Doerr’s novel was a National Book Award finalist and among The New York Times top 10 list of books for 2014.
Doerr deserves every one of these accolades—and they are no surprise to me. All the Light We Cannot See is my favorite book of the year.
I meant to write about it when I first read it back in May. But honestly, I felt stymied. It is so dazzling, so beautiful, so heart-rending, I felt inadequate to write about it. Still do. But I will try, because this big book (510 pages), 10 years in the making, merits all the attention it can get.
What’s it about? In a tantalizing note on his website, Doerr says it’s about
Radio, propaganda, a cursed diamond, children in Nazi Germany, puzzles, snails, the Natural History Museum in Paris, courage, fear, bombs, the magical seaside town of St. Malo in France, and the ways in which people, against all odds, try to be kind to one another.
On a more mundane level, the basic story describes the experiences of two children who grow into adolescence during World War II.  Marie Laure is a blind girl who loses her beloved father, but gains the courage to participate in the French resistance in the small town of St. Malo. Werner is a German orphan whose brilliance in building and repairing radios saves him from a brutal life in the coal mines. Instead, he rockets through a special Nazi-supported school technical school and soon is deployed as a specialist in triangulating radio transmissions.
The novel is told mostly from the point of view of these two characters, and short chapters move back and forth between France and Germany. The narrative pulls the reader along as wartime developments inevitably bring Marie Laure and Werner closer together.
As readers, we care so much about both the main characters, who are fully realized and appealing. Besides creating memorable characters, Doerr gives us passages of breathtaking beauty and imbues descriptions of everything from radio mechanics to mollusks to miniature landscapes with clarity and power.
All the Light We Cannot See is dense and rich and accessible—altogether, a wonderful book. In fact, I’m planning to re-read it in 2015. I hope you will like it, too.
 P.S. The title has baffled many readers. Doerr explains: “It’s a reference to all the light we cannot see, that is, the wavelengths of the electromagnetic spectrum that are beyond the ability of human eyes to detect …it is also a metaphorical suggestion that there are countless invisible stories still buried within World War II…that stories of ordinary children, for example, are a kind of light we do not typically see. Ultimately, the title [suggests] that we spend too much time focused on a small slice of the spectrum of possibility.